Three Paintings in Spokane Art Show

Three East Basin Paintings

I dropped off three watercolor paintings of one of my favorite subjects at the Spokane Art School. I did three winter ski views that I admired during my ski patrol days. Snow scenes up in the mountains hold a real dear place in my heart. I carried a camera with me when it wasn’t common for everyone to have a camera on their phone.
Spokane Art School 05
If you have not participated in an art show before, you may not know what it looks like before the gallery goes to all the hard work of hanging all the work. You walk in with your pieces of art, sign papers and stack them where they tell you to put them.
Spokane Art School 04 Spokane Art School 03This is going to be a unique show displaying Spokane Watercolor Society members work is marvelous. All of the paintings are small, being the same size at 8″ x 8″. We tried an alternative method of framing for this show where the watercolors are mounted on board, then waxed to seal them.  I love this method of preserving a watercolor painting without having to cover it in glass, matting and frame which often times seems to make the painting harder to see under the glare. The colors are so vibrant and warm in this waxed method and I can’t wait to see the display of this wide variety of talent up on the walls of the gallery. There are You Tube videos showing how to do this alternative method of framing for watercolors, see Angela Fahr here.
Spokane Art School Gallery
811 W Garland Avenue., 99205
Phone: 509-325-1500
Spokane Art School
811 W Garland Ave.

This gallery is on the south side of Garland near the milk jug in downtown Spoklane. The art show runs from 7/10 – 7/31st, being open only on Fridays and Saturdays from 10:00 – 2:00pm.

Unfortunately, we are not able to have an art show opening due to covid 19 restrictions. BThree East Basin Paintingsut you can go see the show two days a week if you wear a mask. Hope you can get a chance to go see some really stellar work by our local artists in the Spokane Watercolor society.

Abstract Impression

abstract impression
10″w x 8″h sketchbook abstract impression

Here is an abstract impression of a painting that I admire. It is our monthly challenge for the April 2020 meeting in the Spokane Watercolor Society.

The Challenge is “Just an Impression” No clear reality here. Paint an impression and see if viewers get the ‘point’.

I did enjoy this challenge, as it did let me reach out and try something new.  When I was in high school I painted, using neon colors, lots of abstract posters to populate my bedroom. But at this stage in my artist life, I actually felt a little guilty, as though I may have wasted some supplies doing this. I am happy with the fun had anyhow. You can probably tell that abstract is not my favorite style of painting at this point in time though.

First, I thought of a painting I’d like to make an impression of. Then, I started with real loose pen work, then added strokes of color and dabs of different paint until it felt done.

Can you guess which painting I was looking at while doing this exercise?

It is a well known piece by a Dutch post impressionist painter.

Dahlia Closeup Watercolor

I am finishing this dahlia closeup watercolor this week. Here are 6 progressive shots of the painting’s progress. Dahlia Closeup Sketch B0820

12″w x 13″h watercolor on 300lb Arches paper.I establish the layout with a pencil sketch .

Dahlia Closeup B0820
12″w x 13″h watercolor on 300lb Arches paper.

Starting with a background wash of alizaron crimson I begin to apply highlight color washes on the leaves, then progress to the light washes on the flowers.

Dahlia Closeup B0820
12″w x 13″h watercolor on 300lb Arches paper.

Various shades of green and gray are applied to the leaves in the background.

Dahlia Closeup B0820
12″w x 13″h watercolor on 300lb Arches paper.

The next step is, to bring up the intensity of the colors in the blossoms by applying bright layers.

Dahlia Closeup B0820
12″w x 13″h watercolor on 300lb Arches paper.

To complete this piece, there is very little work remaining to be done . The process becomes a back and forth balancing act from here. I apply the darks and  shadows. Followed by accentuating the lights until I get the look I want.

I will be sure to share the finished painting in the near future.

Bon Voyage Mon Ami

Bon Voyage Mon Ami
Sailboat departing Kaneohe Bay.

This is a painting of a memory of seeing a friend take off at sunrise out of Kaneohe Bay Marina. He was sailing off on an adventure and I was waving goodbye at the shore.

This friend was a Vietnam Vet who lived on his sailboat traveling around the world. My children and I were lucky to be able to spend a year or so enjoying picnics, hikes and boat trips together with no strings attached.

Sometimes, the best people do not hang around long enough.

Skiing in Valhalla

Bluebird Day In Valhalla B0820
8.25″w x 8.25″h watercolor on 140lb wc paper.

Valhalla

Just completed a small watercolor painting entitled, “Bluebird day in Valhalla”-from one of those breathtaking glorious sunny days skiing at 49 Degrees North Ski Resort in Chewelah Washington USA. Valhalla is a great run with enough steep to keep you wide awake, and a good mix of trees alongside for fun. I love the way the shadows show the shape and slope of the run. I spend as much time as possible up on the ski hill and you can see more of my art there if you notice what is around you.

Skiing Series

This is the beginning of a series of paintings I intend to do from some great photographs during those ski patrol days when hardly anyone was on the hill. You know, those first track days.

Progressive Shots

How this painting progressed in the studio.

Bluebird Day in Valhalla 01 wet

Bluebird Day in Valhalla 01
8.25″w x 8.25″h watercolor on 140lb wc paper. A bluebird day skiing at 49º North in Chewelah WA on East Basin run appropiately named Valhalla.

Looking at these first two images in the series, you will see a  perfect example of the difference between the vibrance of watercolors that are wet and ones that are dry. Sometimes, it is scary to put bright pigment down but as you can see, this is something we need to be free with. No skimping on color required.

Bluebird Day in Valhalla 02
8.25″w x 8.25″h watercolor on 140lb wc paper. A bluebird day skiing at 49º North in Chewelah WA on East Basin run appropriately named Valhalla.
Bluebird Day in Valhalla 03
8.25″w x 8.25″h watercolor on 140lb wc paper. A bluebird day skiing at 49º North in Chewelah WA on East Basin run appropriately named Valhalla.
Bluebird Day in Valhalla 04
8.25″w x 8.25″h watercolor on 140lb wc paper. A bluebird day skiing at 49º North in Chewelah WA on East Basin run appropriately named Valhalla.
Bluebird Day in Valhalla 05
8.25″w x 8.25″h watercolor on 140lb wc paper. A bluebird day skiing at 49º North in Chewelah WA on East Basin run appropriately named Valhalla.

Birch Meadow at Slavin Conservation District

Birch Meadow Slavin Conservation Distr B0920
10″w x 7″h watercolor on 140lb cold press wc paper.

Birch Treeline at Meadow

Birch treeline in early spring at a meadow of Slavin Conservation District. This painting began as a plein air day with friends from Spokane Watercolor Society (SWS). I shared in an earlier post about the outing. I am putting this post up to show you how a plein air day inspires in my studio.

Plein Air Outings

Plein air is something dearly loved by this artist. I’m not sure if it is the feeling of freedom that I feel while painting outside or is it the amazing colors, smells and excitement that inspire me to grasp for more in any piece that begins outside.

Slavin Conserv 01

Here is the watercolor sketch I brought home with me from the outing. An idea of the colors and layout. My phone was full of pictures I took for me to work from for all the details.

Slavin Conserv 02
Meadow in early Spring, with a birch and pine treeline at Slavin Conservation District, Spokane WA.

I quickly added basic underpainting tones in the sky and meadow between the treeline when I got back in the studio. I do this to remember the feel of what I saw, till I could take the time to finish it later.

Painting en plein air is sometimes cold or hot and a little tiring but it is always a worthwhile event for me. Not only do I get to walk and draw/paint outdoors, I get to see fellow artists too. There are no better group of people than the crazily creative artists of our world. We are the people who see beauty that others don’t notice. Unnoticed beauties that capture our heart,inspiring us to bring life back around in beautiful colors and lines, till another can basque in it’s discovery.

If what I have painted gives your spirit an uplifting feeling of appreciation, then I have succeeded. My heart is smiling.

Plein Air at Slavin Conservation Area

Slavin Conservation Area SouthYesterday I was able to go and paint plein air with some friends from our Spokane Watercolor Club. We went to the James T. Slavin Conservation Area just, off of highway 195, and it was really chilly 24º F, but did warm up to 40º around noon. It was surprising how close to Spokane it is. And, the conservation area covers a lot of ground (600+ acres) with a lot of different natural wonders to see. I was able to paint two sketch images while I stood on a little knoll directly in front of the parking lot.

Slavin Conserv 01First a Watercolor Sketch

I painted while looking south standing upon the first knoll near the parking lot for the first plein air image. It had meadow grasses with scattered burgundy bunches of bush, then going off into into where the forest pine and birch tree line appears. I made a rudimentary watercolor sketch of this scene, but stopped there, as my watercolors and  water were freezing. But, when the other artist’s arrived, I learned about a trick that stops that from happening. I love painting with other artists, because, you always learn something helpful from each other. If you want to know the secret, you’ll have to come paint with us to learn. 🙂

Slavin Conservation Area West
Slavin Conservation Area West
Slavin Conserv 02
Slavin Conservation Area 02

Second is an Acrylic Sketch

The second image is painted using acrylic paint on a canvas board. Standing at the same location but turned to face west where a pair of pines flanked the left side, with grasslands reaching off into a distant treeline and hill silhouette behind. These colors are a little tricky to get right, but are quite beautiful when it comes out right. Neither of these plein air sketches are any way near finished, but the scenes are embedded in my mind and I am sure I’ll be able to finish them in my studio.

I am not up to strenuous hiking, but thankfully this area is easily accessible with parking close by so it was a totally rejuvenating day. Being able to paint with other painters has revitalized the artist in me. It was surprising how many people walk their dogs there. There is also evidence of a lot of horse hoof prints on the trails. In about a month, that whole field is going to be covered with wildflowers, one of the local ladies told me .

EYE CANDY SURPRISE!

Next month sounds like a great time to schedule another plein air painting trip there. Yep, I’m looking forward to it.

 

Dragonfly In Cosmos

Dragonfly in Cosmos
15″w x 11″h watercolor & ink on 140lb Arches cold press.

Just finished a fun watercolor of a dragonfly in cosmos blossoms. We have dragonflies in our garden every year and they are just so fascinating to watch. Their wings seem to glisten as they fly over all the blossoms with their transparent wings. An “eye candy” insect with great colors in their silent flight. They are also quite the benefit to have around, check out the info here. Dragonflies

I do dragonflies frequently because each one I find is always different in colors and shapes and they are usually admiring blooms as I do while I work in the garden.

Portrait Amalia Fisch in Monochrome

Portrait Amalia Fisch A0320
11″w x 9″h watercolor monochrome (dioxine purple) on 140lb Fabriano wc paper.

Here is my portrait of Amalia Fisch (a fellow artist) done for the January challenge to do a painting in monochrome. What a challenge it is to do work using only one color. The single color chosen for this image was Dioxazine Purple by Blick Artist’s Watercolors. Below is the painting in process after a few light washes had established the figure.

Yesterday was our monthly meeting at Spokane Art supply at 10am. It was great to be able to see my artist friends again. Seeing their work is the highlight of the meeting for me. Being able to share and talk about methods is so valuable. I always learn from these meetings.

Bill Okamura Portrait in Monochrome

9″w x 11″h watercolor monochrome (paynes grey) on 140lb Fabriano wc paper.

Here is a portrait of a fellow artist, Bill Okamura. This month’s Spokane Watercolor Society meeting. The January challenge was to do a painting using only one color.

What was the result? A realization that “monochrome” changes how I approach a painting. Basically, the values become key, and other colors are not there to distract me as I paint. Using value to get depth and shape.

The chosen color used for this image was Payne’s Gray by Daniel Smith Extra Fine Watercolors  economically available at Spokane Art Supply. Below is the painting in process after only a few light washes establish the figure.

portrait Bill Okamura

Our monthly meeting for the Spokane Watercolor Society was at Spokane Art supply at 10am yesterday. Seeing my artist friends and their work is the inspiring to me. Bill did a monochrome painting of an old car that was spectacular! Hope he shares with us.

Being able to share methods and techniques is so valuable to me.