Very, berry, wet huckleberries! Drops of water are covering all the berry surfaces! The prior huckleberry study had a few drops on the berries and leaves? Another discovery of an artist challenge, “the rendering drops”. Drops aren’t easy, because each one is different. Due to, the surface that they rest upon and their location in the lighting scheme.
I reserve the majority of the white areas needed with mastik to be able to render the droplets. First, finishing up the leaves in the background allowing better definition of the edges of my main subject, the berries.
Next, defining the lights and shadows, ultimately shows roundness of the three berries. While applying light washes of color, then allowing the color to spread. Similarly, removing any unwanted color with a dry brush before my mixture dries.
First, using a touch of white mixed with the purple makes the opaque highlight where the light first strikes the berry. Next, adding magenta as a light wash brings out the red tint that shows through the purple on the berries whenever you view them in the sunlight. Touching the body with purple bleeds into the wetness of the magenta wonderfully. Darkening the purple with a touch of ultramarine blue and burnt umber brings a rich shadow out on the lower surface. Adding a mixture of blue, brown and purple produces the darkest shadows that separate the front berry form from the huckleberries appearing behind. Lastly, I give a light reflective edge to the edge furthest from the light source.
Now, it is time for the final touches which are the drops. It gets much easier to render these drops if I remember drop is a round shiny object that I can see through. Drops allow what is behind it to peek through, while simultaneously exhibiting highlights and shadows on its round surface. These little shiny round guys are rendered with white watercolor applied very carefully. Simple touches of white bleeding into the background.
I made the details on the front huckleberry with sharp and distinct edges. Similarly, the rear berries have subdued edges to emphasize that they are further away in our depth of field.