This poor snowshoe rabbit holds a pick ax on his way to look for gold in, “them there hills”. As a result of the traffic in the past decade, a lot of damage evident. It looks like the majority of the hits are on his paw holding the pick and the paw below. Similarly, the cheeks, mouth, ear, nose, and eyes have gotten their fair share of damage. Repairing this character is a real art challenge, but hang in there, because his transformation will amaze you.
This critter is one of the types making those footprints that you see in the snow when you are going up the lifts on chairs 1 & 4 because you get close enough to the ground to see them there. It is kind of amazing how far they can jump, even in deep snow. Do you wonder what bunny tracks look like in the snow? Check them out here.
It is obvious that this fluffy furry guy is mostly whites with a few facial, ears, and tool shapes scattered here & there. I will use methods that I employ when painting snow landscapes in the fine art world. Most importantly, this means that I can not use much white straight out of the can. With a limited pallet, I give you clues by tinting the whites differently to show varying depths of field.
On this area, I add a touch of blue and gray to the white as I coat his body below his chin. I need to trick you into thinking he is a real live rabbit standing in front of you. Certainly, a limited white and grey pallet are not making this easy to accomplish on a flat piece of wood. Um Huh!
What is Next?
Painting over our rabbit’s other features and you may notice a slight yellow tint in his whites on the ears, cheeks and eye area. Because, those surfaces need to appear closer being lighter and warmer. Additionally, I move his right hand location away from the most severely damaged area. This gives a new target to aim for, that has not had any damage yet. I apply a coat of white and light pink to toes, ears, and nose and thankfully, I can still see where the eyes and teeth are underneath. I put a watered down coat of purple brown on the ax handle so I can see where to paint paw hands.
Darkening the chin under the rabbit teeth, nose and between the eyes makes his features begin to pop. I darken the chest and belly and you can start to see that 3D thing mentioned before. The uneven values and layers are beginning to hide the majority of the damages that were so evident before.
See how much white it takes to really cover?
It drives my husband crazy when he sees me dip my brush into paint cans without washing it first, because he used to work in a hardware store mixing paint for people. Ha Ha. You can see my fancy artist palette upfront on the table. I use a paint can lid turned over with drizzled spots of the paints that I anticipate mixing. Truthfully, I hardly ever use a plain clean color while painting murals or signs. The only place I feel it is necessary to keep paint clean and pure is when I have to paint the walls of a room or a house exterior, otherwise “the sky is the limit” when rendering, right?
A closer shot shows the blue grays working to distance his chest and make his teeth show up front. His hands are placed on the ax handle and more grays areas are put on his ears and cheeks.
Darkening the lower belly and lightening the leg upper thighs starts to show the separation between the knees and hand paws up front. Progressing, the highlights are added to toes with a touch of light on his shoulders to keep the body connected to his face and neck. Seems like his rabbit character is coming to life.
Coming into the home stretch now, you will notice details around his eyes, ears, nose and whiskers being quickly added. His teeth are now casting a shadow and his arms holding the ax are outlined to separate along with his kneecap and ear intersection.
Our fluffy snowshoe Rabbit, is drying on the dining table ready to greet the kids on the hill again at 49 Degrees North this winter.