Cape Disappointment Lighthouse #8-9

From this point on I typically add details to the most blaring areas first. The first areas catching my attention are the two areas on the cliff where the mastic was applied. They are way too bright and the wrong shape. I apply a light wash of earth tones to both bringing the values more in line. OK, they are less blaring.

Cape Disap 08

Now I add shapes and colors as I see them from my reference images beginning with the middle area.

Cape Disap 09

Cape Disappointment Lighthouse #6-7

It is time to remove the mastic so I can get down to the details in painting this view. I start on the left side of the image, see the crisp whites appear where the yellow once was.

Cape Disap 06

Proceed to the right side till all of the mastic is removed. Not all areas that I am removing the watercolor resist from were totally white. It is especially noticeable in the cliff where some of the original light wash shows through.

Cape Disap 07

Cape Disappointment Lighthouse #5

The trees and shrubbery are next. I begin by drawing trees with a thin wash of light gray to show the furthest fading into the distance. Then I add greens and browns in various amounts to brighten the trees and shrubs as they come closer. Closer is brighter. If it is where the light is shining it becomes even brighter.

Cape Disap 04

Cape Disappointment Lighthouse #4

The cliffs are highlighted first with one of my favorite colors, Quinacridone Gold by Daniel Smith. I am replacing the colors I run out of with this brand whenever possible because the colors are so vibrant. To darken the Cliffside in the areas that are recessed along the shore I use an earth tone created by mixing greens and reds. This color combo creates the best blacks… a great array of darkness.

The same blues used in the sky are then added to the ocean swells along with greens and purples to mark the darkest areas in the waves. Water always seems to reflect the sky so well.Cape Disap 04

Cape Disappointment Lighthouse #1

I began with a sketch made from my own photograph of the area because I liked the wave layout better. It seemed much more sunny and welcoming of a pattern of currents.

Cape Disapp 01

I quickly realized that I would not be able to preserve all the little areas of white without using some mastic (watercolor resist) to reserve the many areas of white and foam in the surf. So I let the surface fully dry and applied this resist before I was able to proceed.

Cape Disappointment Lighthouse Commission

Seaside Lighthouse Commission

My client wanted a watercolor done of the Cape Disappointment Lighthouse for their parents at Christmas. Here are some of the steps taken to create this painting

I received an example showing what they were thinking of but they wanted a warmer looking day maybe with some sun.

rec'd from client
I found a sunnier shot of the same area that had a great array of sunny color.

sunnier shot

I also took a look through my own photographs to find a shot taken of that same bay while we were on vacation on the coast of Oregon. This just so happened to be a beautiful sunny day when my husband and I hiked up to the lighthouse a few years ago with a couple of friends.

my own photograph